These sculptures treat play as research and material as memory. Cast in concrete from dissolvable 3D-printed molds, each form carries the trace of
its making; layered resolution, surface artifacts, and moments that flirt with failure as fabrication parameters shift. The work emerges from studies of
cellular subdivision, catenary curves, and thickness; exploring how geometry, gravity, and material resistance negotiate form.
Subdivision is pushed across protruding geometries until casting begins to break down; revealing thresholds where precision collapses as concrete
stiffens before reaching deeper cavities. Catenary curves are stretched and compressed as if gravity were object-oriented; generating forms
shaped by force rather than appearance. Thickness becomes a tool to test structural distribution and material logic.
Each piece is titled as a verb; Balancing, Projecting, Blending, Looking, and Introspecting; emphasizing action over object. Wood bases are either
hand-sanded or digitally scanned and carved to fit, extending the dialogue between digital precision and handmade adjustment.